Oskar Fischinger (1900-1967) embodied the modernist ideal of the maladaptive artist so well that a balanced evaluation of his work as filmmaker and painter depends on one’s ability to withhold automatic beatification based solely on his biography. Born and educated in Germany, exiled to Los Angeles when Hitler came to power and abstraction was decreed a “degenerate art,” Fischinger was an uncompromising abstractionist who throughout his life retained a dogged faith in the transcendental potential of pure geometry and color. Persecuted in Germany and condemned to grinding poverty after he settled in L.A., Fischinger’s devotion to the integrity of his art was exemplary.
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